Category Archives: Water

Water = Camera Insurance

Pumphouse Wash water pool.
The memory card survived the water!
Olympus OMD 1 Mark III, 12-100mm lens,
1/200 sec, f/7.1, ISO 200.

On a recent hike with my husband through Pumphouse Wash I dropped my two-month-old camera. The hike required wading through many thigh-high polls of water, and I was careful while wading. Hiking was slow through the water, so after three hours of hiking, we turned back toward the car. That meant wading through the pools of water again. The walk-able ledge on the last pool meant we would stay dry, well that was the plan anyway. Somehow, my pack was open and my camera took a swim. I watched it submerge 18” under water, so I jumped in too. As I grabbed the camera strap the lens broke off and water gushed inside the camera. After getting the camera, I spotted the lens wedged between two rocks and retrieved it. I pulled the battery and memory cards from the camera immediately, hoping to keep the images from the hike.

Broken camera lens
Broken lens with water inside.

Once on dry ground, I wrapped the gear in a towel, and we hiked the last 1/3 mile back to the trail head. At the car, I opened every compartment to dry them out and knew Monday I would call my insurance company. Almost ten years ago, I purchased a policy from State Farm Insurance to cover my gear since I own too much camera gear for a traditional homeowner’s policy. On Monday, I called in my claim. A few days later, a claims adjuster called and by the end of the phone call, he issued me a check for the full value of my gear minus the $100 deductible.

Insurance

Camera in bag of rice
Camera in rice to dry out.

Hopefully, this event got you thinking about insuring your gear. My policy cost $20/month and with over $3000 replaced gear, insurance was a wise choice for me. Not only can you get a special policy through most homeowner’s insurance agents, but many photography organizations offer insurance as part of your membership. Here is a short list of options for insurance, but there are many more.

  • PPA – Professional Photographers of America
  • PSA – Photographic Society of America
  • NANPA – North American Nature Photography Association
  • Howard Burkholz of Allstate
New Olympus camera gear

I contacted Olympus to see if a repair was possible. Although they couldn’t say for sure without evaluating it, dropping the camera in water void the warranty. While I waited to hear from my insurance agent, I placed the camera in a bag of rice. I’m glad I had insurance.

Walking with Ryder

Francis Short Pond with the San Francisco Peaks in the background. Olympus OMD1 MIII, 31mm, 1/160 sec, F/10, ISO 200

Our son, Austin adopted a dog last month. Ryder (dog) is a great addition to our home and we walked him day and night for the first few weeks. Most of these walks were to Francis Short Pond, a ½ mile from our house and easy to maintain social distancing. Here are several photos from these walks.  

Photographing Water in Oak Creek

Oak Creek at Slide Rock State Park, water
Oak Creek at Slide Rock State Park

Spring Break started with the announcement of a pandemic and the cancellation of, well, everything. What was a week of photography, workshops, and relaxation became stressful, instantly. My husband saw my stress and suggested a road trip through Oak Creek Canyon to Slide Rock State Park. Water in nature always calms me and the brisk March afternoon meant we had the place to ourselves.

waterfall at Slide Rock State Park
Olympus OMD1 MIII, 57mm, 2 sec, F/18, ISO 200, Bryan Hansel Waterfall Polarizer.

We hiked down to the creek noticing a waterfall we didn’t remember on our last visit in October. Since it was a cloudy afternoon, I used the Singh-Ray Bryan Hansel Waterfall Polarizer to blur the water. Next, we found moss under the bridge too. The contrasting textures from the exposed tree root and bright green moss drew me in. Therefore, it was time for the macro lens. After several different compositions, I used the 60 mm macro lens for a close-up image instead of capturing a 1:1 macro image.

Green moss and tree root
Olympus OMD1 MII, 60mm, .6 sec, F/10, ISO 200

Next, we walked down the west side of the creek and I noticed the ripples in the water. When photographing patterns like these, it takes me a few attempts to find the right shutter speed. Let me take you through my process. In the images below, number one is with a shutter speed of 1/30 sec., just slow enough to look blurry. Image number two used a shutter speed of 1/3 sec. creating an abstract image about the ripples. That was what I wanted: the right shutter speed to tell my story. Lastly, I adjusted the composition. Image number three used a shutter speed of .4 sec. and the blurred water ripples lead the eye through the frame.

Our short trip to Slide Rock State Park was a success. I walked away with a two photos I loved and two more that I really enjoy. That’s a successful shoot to me and to think the day started out stressful.

Why an ND Filter?

After my sabbatical studying water, I spent many days using my variable ND filter. ND filters, otherwise known as “neutral density” filters attach to the front of your lens and darken the exposure. So, on bright days, slowing the shutter to capture “milky” water is possible. My first ND filter was a variable ND filter, allowing 1-5 stops darkening. Recently, I purchased the Singh-Ray Mor-Slo ND filter with 15-stop darkening and love it. These filters do require a little practice since focusing is done before you screw on the filter. Otherwise, the learning curve is short and here are a few examples from my recent Watson Lake workshop.

Image Left: In mid-day light without any filters with exposure f/16, 1/125 sec and ISO 200.  
Image Right: With the same light, I put on my Singh-Ray Mor-Slo 15-stop filter with exposure  f/16, 8 minutes and ISO 200.  

Something to try: capture images in black and white to add drama to an image. Check out these two images shooting straight into the sun.

Image Left: In morning light without any filters with exposure  f/16, 1/8000 sec and ISO 200.  
Image Right: With the same light, I put on my Singh-Ray Mor-Slo 15-stop filter with exposure f/16, 8 seconds and ISO 200.  

If you are looking for a change with your water photography, consider a neutral density filter, but most importantly, have fun. And, if you are interested in a Singh-Ray ND filter (or any filters), use code Amy10 for 10% off their filters at https://singh-ray.com/.

Tanque Verde Falls, Tucson

My college years were spent in Tucson studying at the UofA. Now, many years later I returned for 1.5 weeks to take a workshop, teach a workshop and enjoy all Tucson has to offer. Now, I’m a hiker so I discovered many new places one of them being Tanque Verde Falls. Fortunately, another workshop attendee and local Tucsonan joined me for the morning. After a short hike and scrambling over boulders we arrived at the lower falls. Luckily, clouds were intermittent providing softer and more even light. We ran short on time, so we didn’t scramble to the upper falls but it sure was great scouting a new location. Notice in the images below the difference of cloud cover versus direct sunlight?

Valentine’s Composite

The first two images were used to create the composite on the right.

Photoshop is not for every image, but I like to use it for compositing and making an impact. I decided to create a composite to celebrate Valentine’s Day. Using my Cognisys StopShot Water Drip Kit, I captured several drops and drop collisions. After reviewing the images, I noticed two that if combined would make a fun composite. Since, viewers commented that it looks like the character, “Tigger”.

Layers

Setting the camera on a tripod (a must with water drop collisions) gave me several almost identical images, the only difference was in the actual drops. To create the composite, I would need to utilized layers in Photoshop. The “Tigger” image was my base image. Then I selected the “tail” from the second image and brought the tail layer over to my base. Once the “tail” was in place, I added a mask to erase the part I didn’t need to create a believable Tigger tail. The final composite included two images and you may notice that I also erased a few of the extra water drops. The spot healing brush is an easy tool and blended the area nicely. This took me less than thirty minutes and I have fun creating it.

Transform Tool

On the next image, I envisioned a drop in the shape of a heart. Well, that would never happen naturally, so I used Photoshop’s transform Tool to create the heart. First step was to cutout the heart onto its own layer. Then use transform (Ctrl +T, Cmd +T) to select it. With the transform tool active, a right click will offer additional transforming options and I chose warp. After dragging the sizing handles around, I designed a heart. The last step was to blend this with the original drop. Again, I added a mask to erase the top portion of the original drop and positioned the new heart shape to blend properly.

Photoshop isn’t for everyone or every image, but it is fun to use!

Water Drop Collisions

Creating water drop collisions keeps me entertained for hours. For the last year, I have been very busy completing and publishing the book, The Art of Macro Photography and my drip kit was neglected. So, I blocked a few hours and went to work in my make shift studio (spare bedroom). I kept the setup simple and started with single drops of water. I didn’t use any additives, just wanted to practice making drops and fine tune the timing of the flashes. After a successful single drop, I added the second drop.

Olympus OM-D E-M1 Mark II, 60mm, ISO 400, f/16, .5 sec.

In all the time I have been shooting water drop collisions, I’ve never seen the second drop hit next to the original drop as you can see in the image to the right. After several minutes problem solving, I tapped the valve and all subsequent drops collided. Why does this entertain me for hours? I love the challenge of focusing sharp and the varied final images. With a small change on timing of the flashes, I can achieve several different looks. The last image is of my setup for this series.

Stay tuned for more images next week!

 

Michigan, Week 2

Manistee Beach

Manistee Beach. Olympus OM-D E-M1 Mark II, 12-100mm, ISO 200, f/22, .5 sec., Singh-Ray 3-stop GND filter.

I’ll be honest, my trip to Michigan didn’t go exactly as planned. At the last minute, Rod had to cancel and I was ill prepared for a 2-week solo trip. You would think after a solo 10-week trip on the Pacific Coast, 2-weeks would be a cinch. It wasn’t. The Pacific Coast trip was planned out months in advance with extensive research and plotting of locations. For this trip, I scrambled to research all I could the night before each destination with limited phone service or Wi-Fi. After my first week in Munising photographing waterfalls and attending a workshop, I drove east to Grand Marais and then spent five days at a cabin in Manistee, Michigan. I learned to enjoy time alone and struggled a bit too.

Agate Beach rocks.

Agate Beach. Olympus OM-D E-M1 Mark II, 12-100mm, ISO 400, f/8, 1/100 sec.

Grand Marais

Sable Falls

Sable Falls. Olympus OM-D E-M1 Mark II, 12-100mm, ISO 400, f/22, 2.5 sec., Singh-Ray Bryan Hansel Waterfall Polarizer.

Grand Marais is a small community of about 400 residents and the only place to eat dinner after Labor Day was at the local Brewery. I dined on their famous whitefish dinner and chatted with a few locals. This Lake Superior town was cold, with a high in the 50’s and strong winds. I walked along Agate Beach looking for agates until my hands froze from the moist air and wind. With my pretty rocks, I returned to my B&B to research the next day’s photo destinations. In the morning, the B&B provided a family style breakfast with all the guests and I really enjoyed conversing with someone other than myself. I spent the morning photographing Sable Falls, Sable Dunes and hiking to a beach on Lake Superior before leaving the Grand Marais area for Manistee.

Manistee

Sand dune

iPhone photo of the sand dunes 1/2 down.

Lucky for me, my cousin Andy has a cabin in Manistee overlooking Lake Michigan. The five days in this small community with beautiful beach views and a historic downtown was peaceful. The cabin is a 15-minute drive south of Manistee in a small neighborhood of mostly summer residences and is a bit secluded, so it took me a few days to feel comfortable returning after dark. The highlight of his cabin is the view of Lake Michigan. The lake is a 100-foot drop from the cabin down a steep sand dune. I attempted many times to get to his beach, but only made it ½ way. I feared I wouldn’t be able to make it back up and was afraid of being stuck down there. The view was great from halfway down too!

Vogue Theater

Manistee’s Vogue Theater. Olympus OM-D E-M1 Mark II, 12-100mm, ISO 200, f/14, 3.2 sec.

One evening the clouds broke so I drove to the 5th Avenue Beach to capture sunset. I barely made it. I ran along the beach with my tripod looking for foreground subjects. After sunset, I sat in the parking lot to watch the bi-monthly Mirrorless Minutes Podcast on YouTube. The host, Jamie MacDonald is entertaining and after spending a few days on his Meetup in Munising, MI, I enjoyed the image share of our workshop. After dark, I went downtown to photograph Manistee’s historic buildings including the Vogue Theatre. It was quiet and dark and I took joy in capturing the brilliant lights of the theatre.

Ludington

Ludington Lighthouse

Big Sable Lighthouse. Olympus OM-D E-M1 Mark II, 12-100mm, ISO 400, f7.1, 1/800 sec.

Ludington is a town south of Manistee with a large state park and Big Sable Point Lighthouse.  Getting to the lighthouse required a 4-mile round trip hike that was relatively flat until I climbed a sand dune to capture a better angle of the lighthouse. Before I returned to my car the winds picked up. So, I made my next stop Stearns Park in Ludington to photograph choppy waves hitting the pier and river light.

Crashing waves

Crashing Waves. Olympus OM-D E-M1 Mark II, 40-150mm, ISO 400, f8, 1/3200 sec.

It was easy to keep myself entertained during the day, but at night the woods around the cabin were dark and I felt very isolated. I spent more time than normal on the computer processing photos and reading a book I purchased in town. At the end of the 5 days, I headed south to South Haven to visit family.

South Haven

Lake Superior

Lake Superior. Olympus OM-D E-M1 Mark II, 12-100mm, ISO 400, f/10, 1/500 sec.

Several of my family members live in South Haven. Visiting this town where my parents went to high school has always been a special place. Now overrun by the tourism industry, it doesn’t hold the same memories for my parents, but I enjoy it nonetheless. Normally, I visit Sherman Dairy and Crane’s Orchard but I spent more time relaxing with my Aunt Lee instead. I did have the opportunity to visit Fenn Valley Vineyards with my cousins though! The only photos I captured in South Haven were for my aunt. She owns a rental cottage and needed a few new images. It was fun watching her straighten every crease in the curtains and fluff every pillow to capture the perfect image.

Olympus OM-D E-M1 Mark II, 12-100mm, ISO 800, f/8, 1/20 sec.

Before I left, we placed the new images in her brochure too. If you find yourself travelling to South Haven, check out The Retreat at Belvedere Beach!  https://www.retreatatbelvederebeach.com/

For the Photogs!

mushroom

Olympus OM-D E-M1 Mark II, 60mm, 16mm extension tubes, ISO 200, f/2.8, 1.6 sec.

Mushrooms are everywhere in the Upper Peninsula. I see some varieties in Flagstaff, but we don’t have the same moisture as Michigan, so there are far more mushrooms and fungi everywhere. While at Wagner Falls, I spotted this mushroom. I enjoyed photographing it so much, I went back on day two to perfect my composition. Here is an image of the shooting scenario and the finished image.

Me capturing the orange mushroom. PC: John Thomas

Taking Photos on a Family Trip

Crystal Lake, Hayden Trailhead

Hayden Trailhead. Olympus OM-D E-M1 Mark II, 12-100mm, ISO 800, f/4, 1/1600 sec.

Taking photos on a family trip can be difficult. Fortunately, my husband and children are artistic and enjoy nature themselves.  I travel alone specifically for photography but for family trips, I employ a few strategies to make photography possible. On a recent family trip to Telluride, CO for the Imogene Pass Run, I applied these three tips and the result was a win-win for all!

Tip #1 – Don’t plan to photograph everything

Austin Horn running Imogene Pass Run

Austin at the start of the Imogene Pass Run. Olympus OM-D E-M1 Mark II, 40-150mm, ISO 1600, f/4, 1/500 sec.

After all, it is a family trip and when you are taking photos you are not engaged with the family. The Imogene Pass Run is a 17-mile run over Imogene Pass from Ouray, CO to Telluride, CO. These Rocky Mountains are stunning and the aspen trees had a hint of gold as they started their fall change. On race day, I had a schedule to follow but while waiting for runners to pass, I practiced “mental photography.” I scout where ever I go, knowing I can always come back in the future. At the start of the race, I hiked ½ mile onto the course to capture the runners and discovered Box Canyon. This canyon is huge with granite walls and a waterfall. I didn’t have my tripod, so, Box Canyon is now on my “to-do” list. I did

capture fun photos of the race both from the start and the finish.

Tip #2 – Divide and conquer

Waterfall in Telluride

Olympus OM-D E-M1 Mark II, 12-100mm, ISO 800, f/13, .8 sec., Singh-Ray Waterfall Filter.

When the race was over, Austin was ready for a nap and I was ready for photography. So, my husband and I hiked up to Bear Creek Falls south of Telluride. This 2-mile hike offered scenic views of the rugged cliffs and the waterfall was spectacular. It was late in the day so we didn’t have as much time as I wanted so, I added it to my “to-do” list.

Tip #3 – Involve the family

Hot springs

Olympus OM-D E-M1 Mark II, 12-100mm, ISO 400, f/10, 1/125 sec.

Prior to the trip we discussed what to do the day after the race. Our son loves driving to Silverton so we added that to our plan. We also planned on finding a few spots with water for me to photograph. Austin did the research and took us to hot springs, mountain lakes, and waterfalls. At each stop, we all went exploring; me with my camera/tripod and them with iPhone’s.

The trip was a success. I didn’t capture the same number of photos if I had been alone, but it was a great compromise.

Amy photographing a waterfall

Amy photographing a waterfall along the highway.

detail photo of bubbles

Bubbles. Olympus OM-D E-M1 Mark II, 12-100mm, ISO 400, f/5.6, 1/160 sec.

Artistic photo of water at Pinkerton Hot Springs

Water moving over textured rock. Olympus OM-D E-M1 Mark II, 12-100mm, ISO 400, f/16, 1/8 sec.

La Push

James Island, La Push. Olympus OM-D E-M1 Mark II, 12-100mm, ISO 200, f/8, 1/160 sec., Using high-res mode creating a 50 mp image.

One last fun story from my trip. Throughout my trip I have spent many hours practicing the ukulele. Since I can now change chords quick enough to play a tune, I decided to practice on my last night while I waited for sunset. Normally, I practice when campers around me are away. As soon as I tuned the uke, my neighbor came out asking if I was a musician. Well, that is not what I would call my playing to be and I don’t sing. Well, he and his wife are musicians and they asked me to play with them. So, we had a jam session with a guitar, autoharp, concertina and my uke. Lauren traded off on the guitar and concertina (like an accordian), Shery played the autoharp. Good thing Lauren would tell me when to change chords. We played two songs and Lauren sang, he also kept the chord changes simple for me. Then, the fog settled around James Island and the sun began to set and I ran off to photograph my last sunset on the Washington Coast for now.

Enjoy this image from La Push, Washington. Oh, and one of the best meals from the entire trip was here in La Push at Rivers End Restaurant. I ate the Seafood Louie salad with shrimp, crab and smoked salmon along with a cup of clam chowder – delish. Excellent finish to an excellent trip!

Seafood Louie Salad. iPhone