Finding recycled or repurposed items is my kind of fun, whether I am traveling or searching on online for creative ideas. We repurpose many antiques for modern uses, so finding a use for the old windows left in our 1892 Carriage House felt natural. The windows in our Carriage House aren’t from this house, but from another old building in Flagstaff. For several months, I searched for a creative way to use these windows for my photos and found it on Pinterest. Here is the completed project.
Using a 6-panel window, I spent several hours cleaning the
glass and the frame from years of gunk. I purchased strong magnetic clips
(Staples) and Neodymium magnets (Home Depot) that would hold magnetically with the
glass in between. Since my window panels are square I printed (Walgreens) 8”x8”
images to hang in the panels. I liked the empty space around each image as opposed
to printing 10”x 10” images. My last task was to add wire to the back of the
frame and hang it. Now, above my computer workstation, I have a photo display
that is easy to change. I enjoy looking at printed photos to assess if I still
like them. So, I’m sure in a few weeks, I will try a few new photos. I also have
another window project in process…come back here for an update.
This blog continues from last week about our Florida
vacation and the highlights of our trip. After spending a week in the Fort
Myers area, we headed east to find alligators. Our first stop was the Audubon’s
Corkscrew Swamp Sanctuary, known for alligators, waterfowl and other swampy
stuff. If this location sounds familiar, I mentioned this location in my
“Buttonbush” blog too. The loop trail is a series of boardwalks through the
swamp. A great location to see the swamp safely. Since we visited at the end of
the dry season, water levels were low and we did not come across any gators.
But we found an amazing number of fun things to photograph. For instance, a
spider wrapping up its recent catch to a red shouldered hawk and even a common
squirrel. I carried my tripod and two cameras (12-100mm and 300mm telephoto
lenses) so I wouldn’t miss a thing.
The loop drive was a 24-mile gravel road through mostly
cypress swamp areas. Frequently, the road crossed culverts and almost every
culvert had alligators basking in the sun. We saw so many “gators” we decided we
didn’t need to visit the Everglades; so we planned visiting the Florida Keys
the next day.
Big Cypress National Preserve
After the swamp, we drove south to catch the Tamiami Road
for our drive to Homestead, FL. We stopped at the Big Cypress National Preserve
visitor center to discuss their scenic drives and pullouts. I often stop at
visitor and tourist centers; the employees always have an opinion of the best
places and sometimes they are not on the published maps. The Ranger recommended
the Loop Road Scenic Drive and since it was on our way to Homestead, we took
it. But, before we got to the loop road, we encountered a picnic pullout spot
with a canal and many alligators. Watching these magnificent prehistoric
looking creatures was mesmerizing. They glided easily through the water and
stalked prey silently. We watched an alligator catch a turtle.
We rented a room at an Airbnb in Homestead, FL from a lovely
couple very attentive to our needs. It felt like home. With limited time in
Homestead, we spent one day driving down to the Middle Keys just because we
wanted to experience it. We ended up at Curry Hammock State Park and sat on the
beach watching the kite surfers and played in the warm water. It was a long
drive for just a few hours at the beach, but we were both glad we did it. After
returning to Homestead, we ate dinner at Black Point Ocean Grill, a waterfront
restaurant with live music and enjoyed our grouper and fish and chips. The next
morning we took a detour to Everglades National Park before driving back to
Fort Myers. After all, we were so close, how could we not stop?
We entered the Everglades National Park through the main Homestead
entrance and drove to the Anhinga Trail. This trail was recommended by my
friend, Beth Ruggiero-York from her book, Everglades
National Park: A Photographic Destination and it was easy to access. We tried
to visit the Nike Missile Site too, but it was only open on weekends. As soon
as we drove into the parking lot of the trail, we noticed a large number of
turkey vultures and a few vehicles. Some vehicles had blue tarps on them, some
vehicles had large numbers of vultures on them. We spoke to the park staff and they
recommended putting a tarp (supplied by them) on our car. Apparently, the
vultures love picking at the rubber on cars. We witnessed that love… some cars had
as many as ten vultures picking at the rubber. We were happy to find our car
untouched by the pesky vultures when we returned from our hike.
The Anhinga Trail is a short boardwalk trail through swampy
areas with many alligators. At one point, I photographed a great egret next to
the path and an alligator cruised past in the canal beside the egret. The egret
was so close to me I had to use my short lens (12-100mm) to get the shot. Notice
the photo below with the alligator slithering through the water. Otherwise, I
used my 300mm lens to photograph anhingas, gators, and egrets.
We felt accomplished. We fulfilled our mission to see alligators
and to visit the Everglades, so we headed out to drive back to Fort Myers. We
stopped one last time at our favorite alligator picnic spot and then drove to
our airport hotel. We ate an early dinner at the hotel to prepare for a 6am
flight heading west the next morning. Our Florida vacation was over and we
returned to Flagstaff rested and relaxed (except for the normal airport nonsense).
We are ready for summer in Flagstaff.
My first time in Florida was 35 years ago and that trip was
centered around visiting family and going to the newly opened Epcot Center. This
year, I returned to the area with my husband and the trip was full of beaches,
wildlife and seafood. Our 10-day trip was relaxing and I thought I would share
some of the highlights here.
When we planned our trip, our goals were to see Sanibel Island and the Everglades. We didn’t want too much planned and chose to make up the itinerary as we went. As a result, we booked flights into Fort Myers and found a small Airbnb in Matlacha with kayaks. Matlacha is a small island between Cape Coral and Big Pine Island and an inexpensive alternative to Sanibel Island. During our first day, we recovered from jet lag by taking out the kayaks. It was as easy as walking out the back door. With the protection of Big Pine Island, paddling was a cinch and we investigated the mangrove trees up close. In addition, dinner was a short walk from the house where we ate fresh gulf shrimp on the waterfront and enjoyed local brews.
Our interest in Sanibel Island came from Rod’s research
before our trip. He read about great shelling on the island and his research
was right. We spent hours at several beaches on Sanibel Island in search of the
best seashells and I grabbed a few photos of waterfowl too. We spent another
morning at the Ding Darling Wildlife Refuge capturing photos of egrets, osprey,
herons, pelicans, ibis, and cardinals. I spent so much time photographing
birds, Rod got a little bored and took a nap in the car.
We visited Englewood, FL to participate in the Cowboy Chord Club, an acoustic jam group. I’m sure it seems kinda funny that we went on a vacation with our ukuleles and crashed a Meetup group, but we had fun! The group took song suggestions so Rod and I were able to rqeuest a few of our favorites to play. Afterward, we talked to the locals and were encouraged to check out their beach; so, we did. We found a waterfront restaurant with fresh fish and live music before we headed to the sun filled beach. As a result of low tide, many shells were visible and we shelled for a few hours before driving back to Matlacha. On our drive back, we found an alligator in a pond in front of a church. We made a quick U-turn to capture photos.
Marco Island and 10,000 Islands Boat Tour
The tour on Marco Island named “10,000 Islands Boat Tour” was the only thing we scheduled before our trip besides the Airbnb, flight, and rental car. As It turns out, we were the only passengers on the boat, so I guess we didn’t need to schedule it so early. The tour was okay, we opted for a longer tour and later realized we didn’t get all that we were promised, however, we did see a lot of wildlife and get to visit one of the 10,000 islands that receives very few visitors. For example, we saw egrets, dolphin, osprey, heron, pelicans, a tern and spent more time shelling (our favorite past time). Capturing the birds from a moving boat was a new challenge and much harder the photographing birds in flight. (See “For the Photogs” below for details on photographing birds.)
Before leaving Matlacha for the Everglades, we were told about burrowing owls in the Cape Coral area and went out to find them. It turns out we had driven past them for days! Since they are protected, stakes are places around their perch to protect the area. The more we drove, the more we saw them in empty fields, front yards, along busy roads…everywhere. I photographed them in many of these areas but preferred the empty fields. The front yards with groomed grass didn’t give the photo a natural feel. Read about how I used my tripod capturing these images, in my blog titled: Benefit of Using a Tripod. Stay tuned for the next post – Florida: Gators and Vultures.
For the Photogs:
To photograph flying birds, a minimum of 1/2000 shutter speed is used to stop the movement of the bird wings. However, when photographing stationary birds, the shutter speed can be slower. In addition, when I was on the boat, I shot at 1/5000 sec. shutter speed and the captain slowed down the boat too. It was still a tough shooting situation. Even though the captain slowed down the boat, the waves were unpredictable and always hit the boat when I was ready to press the shutter. For maximum success, used continuous focus, continuous shooting mode (burst), and image stabilization when photographing birds. As you would expect, it takes lots of practice and timing to capture strong images of wildlife. Good luck!
Do you dislike using a tripod? After teaching photo
workshops for several years, I recognize it is not a popular piece of gear for
new photographers. Tripods can be clunky, unstable, awkward, and temperamental.
The “unstable” can be solved by purchasing a quality tripod from the start.
Many photographers start with an inexpensive tripod and then realize why it was
inexpensive…it doesn’t support their camera or is not built well. Save yourself
some time and money and buy a good tripod from the start. The clunky, awkward,
and temperamental can be overcome by using it.
I often hear participants state they only need a tripod when
photographing landscapes, low light, or macro subjects, well, that is not true.
A tripod in any shooting situation will improve the quality of your photos. Here
is an example when I used a tripod in full sun to improve my photos.
While in Florida on vacation, I photographed birds, from egrets to owls and they entertained me for hours. But holding a long lens for hours was not a solution for sharp photos, so I used my tripod. I started with my Olympus 40-150mm lens (80-300mm FF equivalent) and handheld many images, but since I use live view at 3-5x to verify sharp focus on the eyes of my subject, holding the camera still at this magnification was impossible. Even more so when I switched to my Olympus 300mm lens (600mm FF equivalent). As a result, I grabbed my tripod. Not only were my images sharper, but at the end of the day, my arm wasn’t sore from carrying the weight of the long lens.
One afternoon in Cape Coral, Florida, I spent hours photographing burrowing owls. These small owls are only 7-10 inches tall and like all wildlife, a photographer should keep a good distance to not disturb them. Therefore, I chose to use my Olympus 300mm lens and 1.4x teleconverter giving me a focal length of 820mm (full frame equivalency). With such long focal lengths, a tripod was a must. We drove to several neighborhoods in Cape Coral to photograph these owls with different backgrounds.
I recently purchased a Fotopro X-Go Plus carbon fiber tripod
for airplane travel since it is smaller, lighter and fits in my suitcase. If
you purchase a tripod for travel, be sure to check the weight of your gear with
your heaviest lens and make sure that is below the max load of the tripod you
are considering. With my lightweight Olympus system, my max load is less than
When we saw the “Corkscrew Swamp Sanctuary” on our Google search, we knew it was a must visit location. The name is almost as good as the Great Dismal Swamp (we’ve been there too!) It is located in Southwestern Florida and is known for alligators, waterfowl and other swampy visitors. We arrived shortly after they opened to capture wildlife in soft light. What we didn’t expect to see was a buttonbush shrub (Cephalanthus occidentalis). Resembling a Dr. Seuss tree, this unique bush caught our attention quickly. I used my 300mm lens (it was attached) and focused on the button closest to me. Although I had my macro lens, I really like how the buttons fill the frame from using the 300mm lens. Buttonbush plants are found from Mexico to the Artic and mostly in wetland areas.
The Corkscrew Swamp Sanctuary didn’t disappoint. In addition to the buttonbush, we saw a red-shouldered hawk, barred owl, woodpeckers, and a green anole. Next time you are in Southwestern Florida stop in to the swamp!
My college years were spent in Tucson studying at the UofA. Now, many years later I returned for 1.5 weeks to take a workshop, teach a workshop and enjoy all Tucson has to offer. Now, I’m a hiker so I discovered many new places one of them being Tanque Verde Falls. Fortunately, another workshop attendee and local Tucsonan joined me for the morning. After a short hike and scrambling over boulders we arrived at the lower falls. Luckily, clouds were intermittent providing softer and more even light. We ran short on time, so we didn’t scramble to the upper falls but it sure was great scouting a new location. Notice in the images below the difference of cloud cover versus direct sunlight?
It is an amazing wildflower season in Arizona this spring. These five tips will improve your success in capturing macro wildflower images.
Light. Great photos have great light. Arrive at your destination before the sun comes up to catch the soft light. Scout the day before so you know where the great flowers are located otherwise you might miss the great light.
Tripod & shutter release. Use a tripod and shutter release to avoid camera shake. Macro photography requires sharp focus and the slightest movement from no tripod or pressing the shutter can result in a blurred image. If you don’t have a shutter release, place the camera on a 2-second timer to avoid touching the camera during the exposure.
Blur the background. Open your aperture as much as your lens will allow (f/2.8 – f/5.6) to blur the background. Long focal length lenses (100+mm) have a similar effect. If you don’t own a macro lens then use the longest focal length lens you own and capture a “close-up” image. See the samples below.
Diffuse the light. So, you like to sleep in and won’t photograph flowers until daylight. Then, take a diffuser or scrim (basically a sheet on a frame). Place the diffusion material between the sun and the flower to soften the light. See the samples below.
Have fun. If all this is too much for you, then go straight to step 5! After all, it is about being out in nature and having fun.
I hope you make use of these macro wildflower tips and enjoy this amazing season! It will be gone before we know it.
Photoshop is not for every image, but I like to use it for
compositing and making an impact. I decided to create a composite to celebrate
Valentine’s Day. Using my Cognisys StopShot Water Drip Kit, I captured several
drops and drop collisions. After reviewing the images, I noticed two that if
combined would make a fun composite. Since, viewers commented that it looks
like the character, “Tigger”.
Setting the camera on a tripod (a must with water drop collisions)
gave me several almost identical images, the only difference was in the actual
drops. To create the composite, I would need to utilized layers in Photoshop.
The “Tigger” image was my base image. Then I selected the “tail” from the second
image and brought the tail layer over to my base. Once the “tail” was in place,
I added a mask to erase the part I didn’t need to create a believable Tigger
tail. The final composite included two images and you may notice that I also
erased a few of the extra water drops. The spot healing brush is an easy tool
and blended the area nicely. This took me less than thirty minutes and I have fun
On the next image, I envisioned a drop in the shape of a
heart. Well, that would never happen naturally, so I used Photoshop’s transform
Tool to create the heart. First step was to cutout the heart onto its own
layer. Then use transform (Ctrl +T, Cmd +T) to select it. With the transform
tool active, a right click will offer additional transforming options and I
chose warp. After dragging the sizing handles around, I designed a heart. The
last step was to blend this with the original drop. Again, I added a mask to
erase the top portion of the original drop and positioned the new heart shape
to blend properly.
Photoshop isn’t for everyone or every image, but it is fun
Before talking about how to keyword, I should discuss photography
workflow which is the process a photographer uses for their images from capture
to output. This includes culling, developing and posting images. Although there
are many differences from photog to photog, there are also many similarities. Many
photogs include keywording as part of their workflow, as do I. I am not always
the best at it, so I have spent the last month applying more discipline to
When images have a keyword attached it becomes searchable.
Imagine searching your images by your child’s name, a color, location, or specific
lighting situation. If you take the time to add keywords, it is that easy. I use
Lightroom to catalog my images, so to search for a macro image, I type “macro” into
the search box and tada, all my macro photos appear. That is, if I added the keyword
to each image. If you have not been keywording, don’t fret, just start now.
Someday, you can go back and tackle past images but for now, start with today.
When to keyword?
A better question is “when not to keyword”! Don’t wait to
keyword! Adding keyworks when you download or very soon afterward helps you to
remember the details of the shoot. For
instance, I went to Boyce Thompson Arboretum in January after a rainstorm and
captured a few hundred images (many were focus stacked). When I downloaded, I
immediately added keywords that applied to all images such as: Arizona, Boyce
Thompson Arboretum, desert, raindrops, cloudy, etc. Then after culling my photos
and removing obvious images to delete, I added specific keywords such as: focus
stacking, cactus, specific plant varieties, etc. To remember the plant
varieties, I take a reference photo on my iPhone of my setup with the plant label
so I can add the keyword later.
How to keyword?
Adding keywords in Lightroom is very easy. Upon import,
scroll down the righthand bar to the keyword tab and start adding words to
describe your photos (separate with commas). Remember, these keywords will
apply to all images being imported, so start generic first. Then, to add
additional keywords once the images are imported, switch to grid view (G) and
locate the spray can on the tool bar at the bottom of the page. Once the spray
can is selected a text box becomes available to add keywords. Add several
keywords with commas in between and “spray” them on to the respective photos.
Change the keywords as needed and respray. When you are done, tap the spray can
back to its spot and you are finished.
It really is that easy. The hardest part is taking the extra
few seconds/minutes to add the keywords. But for searching after the fact it is
a blessing in my opinion.
After my past workshop at Watson Lake, Prescott, Arizona, a participant asked me to explain the Olympus focus stacking process in a macro setting. Since I use the focus bracketing modes almost daily in my macro photos, it made sense. So, follow along to explore capturing focus bracketed images using an Olympus OMD1 Mark II.
First, Olympus offers two different focus bracketing modes –
focus stacking and focus bracketing. Focus
stacking is a capture of eight images at different focus depths stacked
into one JPG within the camera. The original RAW images write to the memory
card as well as the finished JPG stack. Focus
Bracketing is a capture of up to 999 images at different focus depths and
all RAW images write to the memory card for the photographer to stack using
other stacking software (Helicon, PhotoShop, etc). This article discusses focus
bracketing mode specifically. However, the focus stacking mode is almost
With your camera on a tripod and a lens capable of focus stacking (Olympus 60mm, 12-100mm, etc) frame your shot. I prefer the 60mm and place it as close to the subject as possible. Next, toggle the 1:1 switch on the side of the macro lens and position the camera/tripod to achieve focus. Now, switch to manual focus and focus back and forth to find the part of the image that is closest to the lens. With live view and zooming, manually focus the nearest part of the image.
Now you are ready to activate the focus bracketing function. Using the menu, locate Camera 2> bracketing >on >focus bkt >on. At this point, you are given a choice between focus stacking or focus bracketing. With the focus stacking option set to off, set the number of shots and focus differential for focus bracketing. (With focus stacking ON, these other options are grayed out). In the images below, I demonstrate the difference of a focus stacked image (left) and a single image (right).
Number of shots: I am often asked how to decide the number of images to capture in a stack. That is hard to describe. The more intricate and larger depth of field requires more images. Generally, I start with 50. If there are more than I need meaning some are out of focus because it went beyond my subject, I don’t use those images in post-processing.
Differential: The differential is the distance between each bracketed image and more complicated to calculate. I tend to use a small differential of 1-2 with my macro lens and extension tubes. With more practice you will see different results and learn to adjust according to your subject.
With focus bracketing activated, press the shutter using a cable release. A cable release is crucial to avoid camera movement from pressing the shutter with a finger. The camera captures the images using Silent sequential high-speed shutter and they are viewable on my LCD screen at the same time. If I watch closely, I can see the focus move from the front to the back of the frame. It really is that easy! Now, it is all up to post-processing. My preference is using Helicon Focus, but PhotoShop and other software can stack images as well.
View my camera setup in the video to the left. Notice the camera is upside down on the tripod to achieve the lowest perspective.
If you create more than one stack, you will want to capture
a random photo in between each stack. For example, I take a photo of my hand in
between each stack. Then when I download, I know where each stack starts and