While in Florida this winter visiting family, we stopped for sunset at Clearwater Beach. We were running late, so as soon as we parked, I scanned the area to find a foreground and was pleased to see a lifeguard tower. While walking toward the beach, I extended my tripod legs and checked my camera settings (we were really late for sunset!) I stopped before the lifeguard tower and took a quick shot to test my composition and realized there was a trash can in the photo (see the first image below). So, I moved a bit closer and captured another frame, but the people walking toward me were too close (see the second image below). Then I waited for the ship to enter my frame and got my final shot above. With digital cameras, it is ok to take several images to “build” your photo.
Beauty surrounds us daily but every now and then I still need inspiration. For me, getting creative is the solution. One of my “go to” creative techniques is intentional camera movements. Generally, I put these in three categories: zoom pull, up/down, and spin. One of my favorite times of year to use these techniques is at the end of the year with holiday lights. Let’s look closer at these techniques:
Preferably on a tripod, set your camera to a slow shutter speed and after pre-focusing, press down the shutter and zoom your lens. Sounds simple, right? Well, it really is. You can zoom out or in, fast or slow and each option returns a different result. When you find the combination you like, capture a few more shots. Sometimes, I use a shutter release and bulb mode, really mixing up the shutter speeds. Take a look at these examples:
For this technique, I prefer to hand hold the camera. My tripod isn’t a gimbal head, so moving the camera up and down isn’t smooth unless I hand hold. Again, with a slow shutter speed tilt the camera up and down. Generally, I use a ¼ sec shutter speed as a starting point and then adjust from there. Like the zoom pulls, move the camera fast or slow until you get the look you desire. Here are a few examples of up/down intentional camera movements:
This technique is more complicated and difficult to master. Personally, I don’t try this technique much. The only difference from the previous techniques is the spinning of the camera. But, this time spin the camera in a circle with your subject in the center of the frame. If you really like this technique and have a hard time capturing a photo you like, there is always the radial filter in Photoshop that would create the same effect.
There you have it, several approaches to intentional camera movements. Give it a try!
Photography is like any other hobby – to improve you need to practice and this is especially true with wildlife photography. To practice my wildlife photography, I love to visit local ponds and zoos in my area. After all, I’m not much of a tracker, so I go where it is easy to find the animals. That way I can practice camera settings, technique, and composition to prepare for when I see animals in the wild. Fortunately, there are several ponds near my house with a variety of waterfowl and birds to practice photographing.
Along with my camera, I pack a long lens (100-500mm range). My favorite Olympus lenses are the 300mm f/4 and the 40-150mm with a 1.4x extender. If I am photographing at a zoo through fences, I prefer the 300mm. Longer focal lengths eliminate the fence better. My gear is in my hand, or my backpack and I make sure to include extra camera batteries, memory card, water, and snacks. Sometimes I will use a monopod, but not if there are a lot of people around.
Setting the shutter speed correctly is crucial in wildlife photography. Generally, you have two options – a fast shutter to stop the action (like wings in flight) and the shutter speed should be at least 1/2000 sec. The second option is a slower shutter speed for panning shots. Panning requires a little more practice and the shutter speed changes depending on the speed of your subject. For example, 1/30, 1/60, 1/125 sec are shutter speeds I have used on wildlife. So, once you decide on the vision of your photo, set the shutter speed.
Focus is most often in continuous and either a single spot or a small group of spots. Birds flying in the air are easier to focus on using multiple spots. But to focus on a bear’s eye, the single spot is best. Get eye level with the animal to capture the strongest possible image. Below are a few images from zoos, ponds and my backyard.
Next time you have the opportunity – go out and practice!
Every spring we remove those pesky dandelions from our yard. This year, before the weed & feed came out, I picked a dandelion to photograph.
As a child, I enjoyed blowing the dandelion seeds everywhere, not grasping why it upset my parents. As an adult, when I look at a dandelion, I imagine myself wandering through those tiny seed pods; maybe it comes from reading The Borrower’s or Dr. Suess’s, Horton Hears a Who. So, I spent a few days photographing dandelions from my yard and I thought I would share my process with you.
I started with a perfect, fluffy dandelion. But the image was busy and I struggled seeing into the seed pods, so I removed some of the seeds to gain a better vantage point. Using my macro lens, tripod and a Raynox DCR250 close up lens, I captured the above image at approximately 2.5x magnification. The off camera flash units were at 1/64 power with diffusion (copy paper). At this magnification, I chose to focus stack so that the closest seed pod would be in focus.
Next, I moved in closer keeping my exposure and flash settings the same. By adding extension tubes to the macro and Raynox lenses, I isolated an individual seed pod achieving almost 4x magnification. When using the Raynox, I use a plastic container on the end of my lens to diffuse the flashes. Anyone that has taken our Arizona Highways PhotoScapes Super Macro workshop (ahps.org) has used this diffusion technique. For these next images, I included my super macro setup and the single seed pod image.
Then, I continued to play with the dandelion seeds, pulling some away to reveal less seed pods drawing me to different compositions. The colored paper background added variety and I chose to capture single images with varying depths of field.
While setting up the next shot, I added a continuous light to the background and loved the silhouetted dandelion. So, I turned off my flashes and captured silhouettes with and without extension tubes. Much to my surprise, I found a bug crawling around in the dandelion. It took a lot of twisting and positioning in front of my lens, but I finally captured the bug in the seeds. The final bug image expressed my original intent – as if I was that bug within the dandelion.
So, if you are looking for a project, find something simple around your house and keep “working the subject” by changing settings, lighting, backgrounds, etc until you achieve what you want. These images were captured over the course of three days. When I take on new projects, I like to review, reflect, and then reshoot several times. Regardless, have fun and I hope you enjoyed reading about my process.
Some days, I just need to play in Photoshop. After spending a couple of hours at Lake Mary with my son and his new dog, Ryder, I had many fun images, but, the lighting was harsh. We went in the middle of the day and to compensate for the harsh light, I used center weighted metering to expose for the shadows. The images were okay, but I decided it would be challenging and different to create a high key image.
After making basic adjustments in Lightroom, I pulled the image into Photoshop. Here I opened the Silver Efex Pro plugin and chose the high key preset. That gave me the basic look but I felt it needed a few finishing touches. So, I added a dodge/burn layer to lighten and darken areas at whim. If you haven’t created a dodge/burn layer, it is very easy.
Hold down the Alt/Opt key while adding a new layer in Photoshop. change the blend mode to Overlay and then check the box to fill the layer with gray. Now, use a white brush to dodge and a black brush to burn in details. You will want to drop the opacity of your brush to 10-15% so that your dodging/burning is subtle.
That’s all it takes to dodge and burn in Photoshop. Next time you are working on images, take a few minutes to try something different – maybe you will like it?
Several photographers I follow post “twirling” images. It is a different look, but since I love abstract photography it was worth an afternoon of watching YouTube videos and playing in Photoshop. I won’t say I am a pro at this effect, but I will say it was fun. Below you will see several images, before and after applying the twirl effect. If you are interested in this, I recommend following the tutorial I followed: https://www.youtube.com/watch?v=pwsjgqI4eaY&list=LLUutBD_IesM1vaEiZiWQmgw&index=8&t=0s
If you are looking for an “at-home” photo project check out this water splash photography video on YouTube.
Spring Break started with the announcement of a pandemic and the cancellation of, well, everything. What was a week of photography, workshops, and relaxation became stressful, instantly. My husband saw my stress and suggested a road trip through Oak Creek Canyon to Slide Rock State Park. Water in nature always calms me and the brisk March afternoon meant we had the place to ourselves.
We hiked down to the creek noticing a waterfall we didn’t remember on our last visit in October. Since it was a cloudy afternoon, I used the Singh-Ray Bryan Hansel Waterfall Polarizer to blur the water. Next, we found moss under the bridge too. The contrasting textures from the exposed tree root and bright green moss drew me in. Therefore, it was time for the macro lens. After several different compositions, I used the 60 mm macro lens for a close-up image instead of capturing a 1:1 macro image.
Next, we walked down the west side of the creek and I noticed the ripples in the water. When photographing patterns like these, it takes me a few attempts to find the right shutter speed. Let me take you through my process. In the images below, number one is with a shutter speed of 1/30 sec., just slow enough to look blurry. Image number two used a shutter speed of 1/3 sec. creating an abstract image about the ripples. That was what I wanted: the right shutter speed to tell my story. Lastly, I adjusted the composition. Image number three used a shutter speed of .4 sec. and the blurred water ripples lead the eye through the frame.
Our short trip to Slide Rock State Park was a success. I walked away with a two photos I loved and two more that I really enjoy. That’s a successful shoot to me and to think the day started out stressful.
A clean background can make or break an image. While walking near a waterfall outside of Ouray, CO, I spotted a Richardson’s Geranium with buds just beginning to open. So, I set up my tripod and grabbed my macro lens. After capturing the image on the left with the natural green background, I placed my diffuser behind the bud to block the wind. Then I noticed I could capture an image with a white background as well. Both backgrounds are clean and simple, but express the buds differently.
The image on the left has noticeable backlight on the buds but the image on the right highlights the red balls on the hair of the stem. Which do you prefer? The Olympus OM-D EM-1 Mark II, 60mm macro lens and settings: Left image: f/4.5, 1/180 sec, ISO 1600. Right image: f/4.5, 1/60 sec, ISO 1600 (notice the faster shutter speed due to the white background.)
My first time in Florida was 35 years ago and that trip was centered around visiting family and going to the newly opened Epcot Center. This year, I returned to the area with my husband and the trip was full of beaches, wildlife and seafood. Our 10-day trip was relaxing and I thought I would share some of the highlights here.
When we planned our trip, our goals were to see Sanibel Island and the Everglades. We didn’t want too much planned and chose to make up the itinerary as we went. As a result, we booked flights into Fort Myers and found a small Airbnb in Matlacha with kayaks. Matlacha is a small island between Cape Coral and Big Pine Island and an inexpensive alternative to Sanibel Island. During our first day, we recovered from jet lag by taking out the kayaks. It was as easy as walking out the back door. With the protection of Big Pine Island, paddling was a cinch and we investigated the mangrove trees up close. In addition, dinner was a short walk from the house where we ate fresh gulf shrimp on the waterfront and enjoyed local brews.
Our interest in Sanibel Island came from Rod’s research before our trip. He read about great shelling on the island and his research was right. We spent hours at several beaches on Sanibel Island in search of the best seashells and I grabbed a few photos of waterfowl too. We spent another morning at the Ding Darling Wildlife Refuge capturing photos of egrets, osprey, herons, pelicans, ibis, and cardinals. I spent so much time photographing birds, Rod got a little bored and took a nap in the car.
We visited Englewood, FL to participate in the Cowboy Chord Club, an acoustic jam group. I’m sure it seems kinda funny that we went on a vacation with our ukuleles and crashed a Meetup group, but we had fun! The group took song suggestions so Rod and I were able to rqeuest a few of our favorites to play. Afterward, we talked to the locals and were encouraged to check out their beach; so, we did. We found a waterfront restaurant with fresh fish and live music before we headed to the sun filled beach. As a result of low tide, many shells were visible and we shelled for a few hours before driving back to Matlacha. On our drive back, we found an alligator in a pond in front of a church. We made a quick U-turn to capture photos.
Marco Island and 10,000 Islands Boat Tour
The tour on Marco Island named “10,000 Islands Boat Tour” was the only thing we scheduled before our trip besides the Airbnb, flight, and rental car. As It turns out, we were the only passengers on the boat, so I guess we didn’t need to schedule it so early. The tour was okay, we opted for a longer tour and later realized we didn’t get all that we were promised, however, we did see a lot of wildlife and get to visit one of the 10,000 islands that receives very few visitors. For example, we saw egrets, dolphin, osprey, heron, pelicans, a tern and spent more time shelling (our favorite past time). Capturing the birds from a moving boat was a new challenge and much harder the photographing birds in flight. (See “For the Photogs” below for details on photographing birds.)
Before leaving Matlacha for the Everglades, we were told about burrowing owls in the Cape Coral area and went out to find them. It turns out we had driven past them for days! Since they are protected, stakes are places around their perch to protect the area. The more we drove, the more we saw them in empty fields, front yards, along busy roads…everywhere. I photographed them in many of these areas but preferred the empty fields. The front yards with groomed grass didn’t give the photo a natural feel. Read about how I used my tripod capturing these images, in my blog titled: Benefit of Using a Tripod. Stay tuned for the next post – Florida: Gators and Vultures.
For the Photogs:
To photograph flying birds, a minimum of 1/2000 shutter speed is used to stop the movement of the bird wings. However, when photographing stationary birds, the shutter speed can be slower. In addition, when I was on the boat, I shot at 1/5000 sec. shutter speed and the captain slowed down the boat too. It was still a tough shooting situation. Even though the captain slowed down the boat, the waves were unpredictable and always hit the boat when I was ready to press the shutter. For maximum success, used continuous focus, continuous shooting mode (burst), and image stabilization when photographing birds. As you would expect, it takes lots of practice and timing to capture strong images of wildlife. Good luck!